Bruce Jun Fan Lee (November 27, 1940 – July 20, 1973) was a Chinese American martial artist and martial arts actor widely regarded as one of the most influential martial artists of the 20th century. Lee's films, especially his performance in the Hollywood-produced Enter the Dragon, elevated the traditional Hong Kong martial arts film to a new level. His pioneering efforts paved the way for future martial artists and martial arts actors such as Jackie Chan, Jet Li and Chuck Norris.
Lee's movies sparked the first major surge of interest in Chinese martial arts in the West. The direction and tone of his films changed and influenced martial arts and martial arts films in Hong Kong, China, and the rest of the world. Lee became an iconic figure particularly to Chinese; as he portrayed Chinese national pride and Chinese nationalism in his movies.1
Many see Lee as a model blueprint for acquiring a strong and efficient body as well as developing a mastery of martial arts and hand to hand combat skills. Lee began the process of creating his own fighting system known as Jeet Kune Do. Bruce Lee's evaluation of traditional martial arts doctrines is nowadays seen as the first step into the modern style of mixed martial arts.
Lee's movies sparked the first major surge of interest in Chinese martial arts in the West. The direction and tone of his films changed and influenced martial arts and martial arts films in Hong Kong, China, and the rest of the world. Lee became an iconic figure particularly to Chinese; as he portrayed Chinese national pride and Chinese nationalism in his movies.1
Many see Lee as a model blueprint for acquiring a strong and efficient body as well as developing a mastery of martial arts and hand to hand combat skills. Lee began the process of creating his own fighting system known as Jeet Kune Do. Bruce Lee's evaluation of traditional martial arts doctrines is nowadays seen as the first step into the modern style of mixed martial arts.
RIP Bruce Lee 1940-1973
by P.redeckis June 09, 2006
Cardplayer. Scoundrel. You'll like him. That was Han Solo's hurried precis on his old pal, Lando Calrissian. While the description is accurate, it barely scratches the surface of this complicated rogue. Calrissian is at home in the shadowy reaches of the fringe, the underworld culture that permeates the galaxy. While he has rubbed elbows with hunters, mercs, outlaws and gangsters, Lando's main difference is that his elbows were covered by some of the most expensive and fashionable clothes this side of the Core. Lando has style and class; some would say in excess. He is a man of sophisticated tastes, and settles for nothing short of the best in his surroundings, his belongings, his look, and his female companionship.
Han and Lando go way back, you'll hear them say, but it hasn't always been friendship and camaraderie. Solo and Calrissian have been rivals in the past. A bitter point of contention between the two has been the ownership of the Millennium Falcon. The deceptively dilapidated freighter once belonged to Calrissian, and much to the gambler's chagrin, he lost it to Solo in a heated game of sabacc. Though Solo insists he won fair and square, Calrissian still questions Solo's victory, if only to goad the Corellian.
Lando was the first of the two friends to go "respectable," a fate worse than death to some smugglers. He distanced himself from the life on the run, and settled down in the floating metropolis of Cloud City, on the gas planet Bespin. Lando became baron-administrator of the city and its lucrative Tibanna gas mining operation. Where once he had only looked out for himself, Lando now found himself responsible for the lives of millions of Cloud City residents. Despite himself, Lando found that he had a knack for administrative duties, and enjoyed being a businessman and community leader as much as a cardshark.
Lando's new world came crashing down around him when the Empire arrived at Cloud City. It was shortly after the Battle of Hoth when the Dark Lord, Darth Vader, and the masked bounty hunter Boba Fett came before him. They had tracked down the Falcon and its crew heading to Cloud City, and forced Calrissian to agree to turn Solo over to the Empire. In exchange, the Empire would not interfere with Cloud City, and allow it to remain an independent colony. Calrissian was torn -- was a friend's life worth more than the lives of his people?
Reluctantly, Calrissian agreed to the Empire's plan and lured Solo into a trap. Throughout the ordeal, Vader kept altering his end of the bargain, and Calrissian was powerless to stop him. The gambler learned an important lesson: never deal with a Dark Lord.
With all the cards on the table, Lando realized that he was set up to lose. Although Solo was captured, frozen in carbonite, and taken to the vile gangster Jabba the Hutt, Calrissian seized the initiative to redeem himself. He freed Solo's friends, Leia Organa and Chewbacca, and warned Cloud City's populace of the impending Imperial takeover. Calrissian, aboard the Millennium Falcon, led the escape from the city. He even helped rescue a wounded Luke Skywalker before returning the fugitive Rebels to the Alliance fleet.
Calrissian volunteered in a daring mission to rescue Solo from Jabba the Hutt's fortress on Tatooine. He concealed himself in the armor of one of Jabba's many faceless skiff guards and infiltrated the palace. Lando was in perfect position when Skywalker sprung his rescue mission over the Great Pit of Carkoon.
The skiff guards never knew they had a Rebel in their midst. Calrissian helped dispose of several of the guards protecting the prisoners, and piloted the rescue skiff that spirited away the newly liberated Solo and his friends.
During the Battle of Endor, Calrissian again proved his mettle. Now a General in the Alliance Forces, Lando volunteered to spearhead the starfighter attack on the second Death Star while Admiral Ackbar led the capital ships. His past exploits in the Battle of Tanaab helped prepare him for the coming conflict. His unorthodox strategies worked well with Ackbar's more conservative tactics. When the Death Star proved operational, Ackbar was ready to retreat. Instead, Calrissian commanded the Alliance Fleet to engage the Imperial Fleet at point-blank range, offering limited protection from the Death Star's massive superlaser weapon.
Once a Rebel strike team deactivated the Death Star's protective deflector shield, Lando led the starfighters into the station's incomplete superstructure. Lando, aboard the Falcon, flew point into the twisting narrow corridors of the Death Star's innards. Once in the massive reactor core, he loosed a volley of concussion missiles at the Death Star's exposed heart. He then outran the fantastic explosion that followed, and the Millennium Falcon emerged triumphantly from the dying Death Star.
Han and Lando go way back, you'll hear them say, but it hasn't always been friendship and camaraderie. Solo and Calrissian have been rivals in the past. A bitter point of contention between the two has been the ownership of the Millennium Falcon. The deceptively dilapidated freighter once belonged to Calrissian, and much to the gambler's chagrin, he lost it to Solo in a heated game of sabacc. Though Solo insists he won fair and square, Calrissian still questions Solo's victory, if only to goad the Corellian.
Lando was the first of the two friends to go "respectable," a fate worse than death to some smugglers. He distanced himself from the life on the run, and settled down in the floating metropolis of Cloud City, on the gas planet Bespin. Lando became baron-administrator of the city and its lucrative Tibanna gas mining operation. Where once he had only looked out for himself, Lando now found himself responsible for the lives of millions of Cloud City residents. Despite himself, Lando found that he had a knack for administrative duties, and enjoyed being a businessman and community leader as much as a cardshark.
Lando's new world came crashing down around him when the Empire arrived at Cloud City. It was shortly after the Battle of Hoth when the Dark Lord, Darth Vader, and the masked bounty hunter Boba Fett came before him. They had tracked down the Falcon and its crew heading to Cloud City, and forced Calrissian to agree to turn Solo over to the Empire. In exchange, the Empire would not interfere with Cloud City, and allow it to remain an independent colony. Calrissian was torn -- was a friend's life worth more than the lives of his people?
Reluctantly, Calrissian agreed to the Empire's plan and lured Solo into a trap. Throughout the ordeal, Vader kept altering his end of the bargain, and Calrissian was powerless to stop him. The gambler learned an important lesson: never deal with a Dark Lord.
With all the cards on the table, Lando realized that he was set up to lose. Although Solo was captured, frozen in carbonite, and taken to the vile gangster Jabba the Hutt, Calrissian seized the initiative to redeem himself. He freed Solo's friends, Leia Organa and Chewbacca, and warned Cloud City's populace of the impending Imperial takeover. Calrissian, aboard the Millennium Falcon, led the escape from the city. He even helped rescue a wounded Luke Skywalker before returning the fugitive Rebels to the Alliance fleet.
Calrissian volunteered in a daring mission to rescue Solo from Jabba the Hutt's fortress on Tatooine. He concealed himself in the armor of one of Jabba's many faceless skiff guards and infiltrated the palace. Lando was in perfect position when Skywalker sprung his rescue mission over the Great Pit of Carkoon.
The skiff guards never knew they had a Rebel in their midst. Calrissian helped dispose of several of the guards protecting the prisoners, and piloted the rescue skiff that spirited away the newly liberated Solo and his friends.
During the Battle of Endor, Calrissian again proved his mettle. Now a General in the Alliance Forces, Lando volunteered to spearhead the starfighter attack on the second Death Star while Admiral Ackbar led the capital ships. His past exploits in the Battle of Tanaab helped prepare him for the coming conflict. His unorthodox strategies worked well with Ackbar's more conservative tactics. When the Death Star proved operational, Ackbar was ready to retreat. Instead, Calrissian commanded the Alliance Fleet to engage the Imperial Fleet at point-blank range, offering limited protection from the Death Star's massive superlaser weapon.
Once a Rebel strike team deactivated the Death Star's protective deflector shield, Lando led the starfighters into the station's incomplete superstructure. Lando, aboard the Falcon, flew point into the twisting narrow corridors of the Death Star's innards. Once in the massive reactor core, he loosed a volley of concussion missiles at the Death Star's exposed heart. He then outran the fantastic explosion that followed, and the Millennium Falcon emerged triumphantly from the dying Death Star.
by P.redeckis June 07, 2006
UrbanDictionary
UrbanDictionary is an online dictionary whose definitions are contributed by users. Most words featured on UrbanDictionary are slang, particularly ambiguous slang.
Site features
It has recently arranged its terms into categories in which people may search for terms. One of its main motives is to emphasise the defining of words how you want to define them, hence its slogan: "Define your world". Because of this, one word may return many definitions. Individual definitions can be voted on based upon a thumbs up/down scale, and a running tally of votes is kept for each definition. Visitors may also view a randomly chosen word to expand their urban vocabulary. Users can submit sounds of spoken words and images to give a clear, understandable feeling of a certain definition. This feature has been very helpful to some, although it has been sparingly used; many terms are unable to be visualized. Other recently-added features of the site include a "Word of the Day", where subscribers receive a daily email containing a select term, and a chatroom.
The "Urbanelite" and the "UD terrorist"
When authors submit their definitions, they are permitted to include a name or pseudonym, and more recently, their location, which appears underneath the definition. These names cannot presently be password protected, and some names are used by many authors (anonymous and unknown being primary examples), while other authors with unique handles gain some degree of notoriety from the number or popularity of their definitions. The authors judged to make the most notable contributions are sometimes known as the "urbanelite" and have intercommunicated with each other via chatboard style back-and-forth definitions. This has led to a series of on-and-off flame wars on the website. Disliked members of the urbanelite are often the victims of having extremely disagreeable definitions superimposed under their nicknames by other authors trying to discredit them. This was first seen large scale happening to the inarticulate PlayStation fan with the handle of "sony roolz". The handle "sony roolz" was used by several urban dictionary regulars to make the user appear an immature and illiterate sociopath, with the abuse even extending beyond urbandictionary.
Over time a group of users formed into a loosely organised attack group with the sole aim of commandeering the names of urbanelites and writing a plethora of definitions packed with objectionable content, including racist statements, offensive jokes, poems in support of necrophilia, zoophilia and child molestation as well as plenty of statements where the victim 'admits' to homosexual activity and hatred of non-white races. These claims are desultory and conflicting, as are most spatial attacks. One victimised author refered to the people behind these attacks as the 'Urbandictionary Terrorist', believing there to be just one culprit. The handle "ud terrorist" stuck, and today many of the definitions of urbanelite authors that used to contribute to the site have disappeared. Prior to the new deletion system, some of these authors have had all their definitions removed as their continued presence was likely to spark more trolling.
Quality control
In order to keep definitions accurate and non-offensive, a so-called "quality control" system was established. Should a user disapprove of a certain word, they could submit a complaint. The user was able to choose one of five general reasons for which the definition ought be deleted and to enter additional comments about the rationale justifying the definition's deletion (such as if the definition was incoherent or hateful). Deletion requests were added to a pool that was reviewed by users who choose to participate in quality control. Users participating in the system made a judgement whether to keep the definitions on the website or to delete them by selecting for each one either "it stays" or "it goes". If the user was unsure, a "don't know" option was also selectable.
However, the site's management did not believe that this concept was working as intended. Many people were not, in their eyes, using it to solely erase definitions from the site that were inconsistent with the site's terms of service. For instance, many users recommended definitions of users they did not approve of or those containing opinions they did not agree with. Because of this, a many definitions that did not meet the site's criteria for deletion were removed from the website. As this was happening repeatedly, a new system has been established. Though complaints are still submitted, the quality control system is now invalid, with executive editors now determining whether a definition should remain on the website or not. Now, the site is offering free, non-executive editing positions. Users now determine whether a definition is appropriate for publication, and if not, the definition will not appear on the website. This system had, at its' inception, what appeared to be several weeks worth of backlogs, and is still open to abuse despite the posted guidelines.
More than just slang
Urban Dictionary's content contains more than slang. The names of many well-known figures, computer games, and other commonly-used terms exist. Also, because of Urban Dictionary's informality and anonymity and its popularity among teens, some people define their peers' names, usually to insult or profess their love for them. Many people believe that this does not ruin the site; they believe that the site has drifted away from being solely a slang dictionary, but instead a slang dictionary and a source from which people can learn more about the general conceptions that people have of certain things in everyday life. But, most definitions are rather opinionated and not very useful.
See also
Wiktionary
External links
Urban Dictionary
UrbanDictionary is an online dictionary whose definitions are contributed by users. Most words featured on UrbanDictionary are slang, particularly ambiguous slang.
Site features
It has recently arranged its terms into categories in which people may search for terms. One of its main motives is to emphasise the defining of words how you want to define them, hence its slogan: "Define your world". Because of this, one word may return many definitions. Individual definitions can be voted on based upon a thumbs up/down scale, and a running tally of votes is kept for each definition. Visitors may also view a randomly chosen word to expand their urban vocabulary. Users can submit sounds of spoken words and images to give a clear, understandable feeling of a certain definition. This feature has been very helpful to some, although it has been sparingly used; many terms are unable to be visualized. Other recently-added features of the site include a "Word of the Day", where subscribers receive a daily email containing a select term, and a chatroom.
The "Urbanelite" and the "UD terrorist"
When authors submit their definitions, they are permitted to include a name or pseudonym, and more recently, their location, which appears underneath the definition. These names cannot presently be password protected, and some names are used by many authors (anonymous and unknown being primary examples), while other authors with unique handles gain some degree of notoriety from the number or popularity of their definitions. The authors judged to make the most notable contributions are sometimes known as the "urbanelite" and have intercommunicated with each other via chatboard style back-and-forth definitions. This has led to a series of on-and-off flame wars on the website. Disliked members of the urbanelite are often the victims of having extremely disagreeable definitions superimposed under their nicknames by other authors trying to discredit them. This was first seen large scale happening to the inarticulate PlayStation fan with the handle of "sony roolz". The handle "sony roolz" was used by several urban dictionary regulars to make the user appear an immature and illiterate sociopath, with the abuse even extending beyond urbandictionary.
Over time a group of users formed into a loosely organised attack group with the sole aim of commandeering the names of urbanelites and writing a plethora of definitions packed with objectionable content, including racist statements, offensive jokes, poems in support of necrophilia, zoophilia and child molestation as well as plenty of statements where the victim 'admits' to homosexual activity and hatred of non-white races. These claims are desultory and conflicting, as are most spatial attacks. One victimised author refered to the people behind these attacks as the 'Urbandictionary Terrorist', believing there to be just one culprit. The handle "ud terrorist" stuck, and today many of the definitions of urbanelite authors that used to contribute to the site have disappeared. Prior to the new deletion system, some of these authors have had all their definitions removed as their continued presence was likely to spark more trolling.
Quality control
In order to keep definitions accurate and non-offensive, a so-called "quality control" system was established. Should a user disapprove of a certain word, they could submit a complaint. The user was able to choose one of five general reasons for which the definition ought be deleted and to enter additional comments about the rationale justifying the definition's deletion (such as if the definition was incoherent or hateful). Deletion requests were added to a pool that was reviewed by users who choose to participate in quality control. Users participating in the system made a judgement whether to keep the definitions on the website or to delete them by selecting for each one either "it stays" or "it goes". If the user was unsure, a "don't know" option was also selectable.
However, the site's management did not believe that this concept was working as intended. Many people were not, in their eyes, using it to solely erase definitions from the site that were inconsistent with the site's terms of service. For instance, many users recommended definitions of users they did not approve of or those containing opinions they did not agree with. Because of this, a many definitions that did not meet the site's criteria for deletion were removed from the website. As this was happening repeatedly, a new system has been established. Though complaints are still submitted, the quality control system is now invalid, with executive editors now determining whether a definition should remain on the website or not. Now, the site is offering free, non-executive editing positions. Users now determine whether a definition is appropriate for publication, and if not, the definition will not appear on the website. This system had, at its' inception, what appeared to be several weeks worth of backlogs, and is still open to abuse despite the posted guidelines.
More than just slang
Urban Dictionary's content contains more than slang. The names of many well-known figures, computer games, and other commonly-used terms exist. Also, because of Urban Dictionary's informality and anonymity and its popularity among teens, some people define their peers' names, usually to insult or profess their love for them. Many people believe that this does not ruin the site; they believe that the site has drifted away from being solely a slang dictionary, but instead a slang dictionary and a source from which people can learn more about the general conceptions that people have of certain things in everyday life. But, most definitions are rather opinionated and not very useful.
See also
Wiktionary
External links
Urban Dictionary
by P.redeckis June 13, 2006
An apartment (or flat in Britain and most other Commonwealth countries) is a self-contained housing unit that occupies only part of a building. Apartments may be owned (by an owner-occupier) or rented (by tenants).
Some apartment-dwellers own their apartments, either as co-ops, in which the residents own shares of a corporation that owns the building or development; or in condominiums, whose residents own their apartments and share ownership of the public spaces. Most apartments are in buildings designed for the purpose, but large older houses are sometimes divided into apartments. The word apartment connotes a residential unit or section in a building. Apartment building owners, lessors, or managers often use the more general word units to refer to apartments. Units can be used to refer to rental business suites as well as residential apartments. When there is no tenant occupying an apartment, the lessor is said to have a vacancy. For apartment lessors, each vacancy represents a loss of income from rent-paying tenants for the time the apartment is vacant (i. e., unoccupied). Lessors' objectives are often to minimize the vacancy rate for their units. The owner of the apartment typically transfers possession to the occupant(s) by giving him/her the key to the apartment entrance door(s) and any other keys need to live there, such as a common key to the building or any other common areas, and an individual unit mailbox key. When the occupant(s) move out, these keys should typically be returned to the owner.
Apartment types and characteristics
Luxury apartment buildings in Gurgaon, Delhi metropolitan areaApartments can be classified into several types. Studio or efficiency or bachelor apartments tend to be the smallest apartments with the cheapest rents in a given area. These kinds of apartment usually consist mainly of a large room which is the living, dining, and bedroom combined. There are usually kitchen facilities as part of this central room, but the bathroom is its own smaller separate room. In the UK and Ireland, a roughly equivalent term is bed-sit (bedroom and sitting-room combined). Moving up from the efficiencies are one-bedroom apartments where one bedroom is a separate room from the rest of the apartment. Then there are two-bedroom, three-bedroom, etc. apartments. Small apartments often have only one entrance/exit. Large apartments often have two entrances/exits, perhaps a door in the front and another in the back. Depending on the building design, the entrance/exit doors may be directly to the outside or to a common area inside, such as a hallway. Depending on location, apartments may be available for rent furnished with furniture or unfurnished into which a tenant usually moves in with his/her own furniture. Permanent carpeting is often included in an apartment.
Laundry facilities are usually kept in a separate area accessible to all the tenants in the building. Depending on when the building was built and the design of the building, utilities such as water, heating, and electric may be common for all the apartments in the building or separate for each apartment and billed separately to each tenant. Outlets for connection to telephones are typically included in apartments. Telephone service is optional and is practically always billed separately from the rent payments. Cable television and similar amenities are extra also. Parking space(s), air conditioner, and extra storage space may or may not be included with an apartment. Rental leases often limit the maximum number of people who can reside in each apartment. On or around the ground floor of the apartment building, a series of mailboxes are typically kept in a location accessible to the public and, thus, to the mailman too. Every unit typically gets its own mailbox with individual keys to it. Some very large apartment buildings with a full-time staff may take mail from the mailman and provide mail-sorting service. Near the mailboxes or some other location accessible by outsiders, there may be a buzzer (equivalent to a doorbell) for each individual unit. In smaller apartment buildings such as two- or three-flats, or even four-flats, garbage is often disposed of in trash containers similar to those used at houses. In larger buildings, garbage is often collected in a common trash bin or dumpster. For cleanliness or minimizing noise, many lessors will place restrictions on tenants regarding keeping pets in an apartment.
In some parts of the world, the word apartment is used generally to refer to a new purpose-built self-contained residential unit in a building, whereas the word flat means a converted self-contained unit in an older building. An industrial, warehouse, or commercial space converted to an apartment is commonly called a loft.
When part of a house is converted for the ostensible use of a landlord's family member, the unit may be known as an in-law apartment or granny flat, though these (sometimes illegally) created units are often occupied by ordinary renters rather than family members.
Staying in privately owned apartments rather than in a hotel is quickly becoming popular with travellers.
Some apartment-dwellers own their apartments, either as co-ops, in which the residents own shares of a corporation that owns the building or development; or in condominiums, whose residents own their apartments and share ownership of the public spaces. Most apartments are in buildings designed for the purpose, but large older houses are sometimes divided into apartments. The word apartment connotes a residential unit or section in a building. Apartment building owners, lessors, or managers often use the more general word units to refer to apartments. Units can be used to refer to rental business suites as well as residential apartments. When there is no tenant occupying an apartment, the lessor is said to have a vacancy. For apartment lessors, each vacancy represents a loss of income from rent-paying tenants for the time the apartment is vacant (i. e., unoccupied). Lessors' objectives are often to minimize the vacancy rate for their units. The owner of the apartment typically transfers possession to the occupant(s) by giving him/her the key to the apartment entrance door(s) and any other keys need to live there, such as a common key to the building or any other common areas, and an individual unit mailbox key. When the occupant(s) move out, these keys should typically be returned to the owner.
Apartment types and characteristics
Luxury apartment buildings in Gurgaon, Delhi metropolitan areaApartments can be classified into several types. Studio or efficiency or bachelor apartments tend to be the smallest apartments with the cheapest rents in a given area. These kinds of apartment usually consist mainly of a large room which is the living, dining, and bedroom combined. There are usually kitchen facilities as part of this central room, but the bathroom is its own smaller separate room. In the UK and Ireland, a roughly equivalent term is bed-sit (bedroom and sitting-room combined). Moving up from the efficiencies are one-bedroom apartments where one bedroom is a separate room from the rest of the apartment. Then there are two-bedroom, three-bedroom, etc. apartments. Small apartments often have only one entrance/exit. Large apartments often have two entrances/exits, perhaps a door in the front and another in the back. Depending on the building design, the entrance/exit doors may be directly to the outside or to a common area inside, such as a hallway. Depending on location, apartments may be available for rent furnished with furniture or unfurnished into which a tenant usually moves in with his/her own furniture. Permanent carpeting is often included in an apartment.
Laundry facilities are usually kept in a separate area accessible to all the tenants in the building. Depending on when the building was built and the design of the building, utilities such as water, heating, and electric may be common for all the apartments in the building or separate for each apartment and billed separately to each tenant. Outlets for connection to telephones are typically included in apartments. Telephone service is optional and is practically always billed separately from the rent payments. Cable television and similar amenities are extra also. Parking space(s), air conditioner, and extra storage space may or may not be included with an apartment. Rental leases often limit the maximum number of people who can reside in each apartment. On or around the ground floor of the apartment building, a series of mailboxes are typically kept in a location accessible to the public and, thus, to the mailman too. Every unit typically gets its own mailbox with individual keys to it. Some very large apartment buildings with a full-time staff may take mail from the mailman and provide mail-sorting service. Near the mailboxes or some other location accessible by outsiders, there may be a buzzer (equivalent to a doorbell) for each individual unit. In smaller apartment buildings such as two- or three-flats, or even four-flats, garbage is often disposed of in trash containers similar to those used at houses. In larger buildings, garbage is often collected in a common trash bin or dumpster. For cleanliness or minimizing noise, many lessors will place restrictions on tenants regarding keeping pets in an apartment.
In some parts of the world, the word apartment is used generally to refer to a new purpose-built self-contained residential unit in a building, whereas the word flat means a converted self-contained unit in an older building. An industrial, warehouse, or commercial space converted to an apartment is commonly called a loft.
When part of a house is converted for the ostensible use of a landlord's family member, the unit may be known as an in-law apartment or granny flat, though these (sometimes illegally) created units are often occupied by ordinary renters rather than family members.
Staying in privately owned apartments rather than in a hotel is quickly becoming popular with travellers.
by P.redeckis June 07, 2006
The Seinfeld Chronicles is the pilot episode of the NBC series, Seinfeld. It originally aired on July 5, 1989. The original title of the episode was Good News, Bad News however it has been confirmed by the creators that the title of the pilot is The Seinfeld Chronicles.
It was rebroadcast in 1990 after the show had been picked up as a series.
The episode was written by creators, Larry David & Jerry Seinfeld and was directed by Art Wolff.
Plot
Spoiler warning: Plot and/or ending details follow.
Jerry Seinfeld and George Costanza are seated at Pete's Luncheonette debating over a shirt button. The waitress, Claire, comes over to their table and pours each a cup of coffee. George tells Claire he does not want caffeine in his coffee and Jerry corrects him by telling George she is an expert waitress. The two continue to talk and finally leave when Jerry has to do laundry.
The following evening while watching a late Mets game, he receives a phone call from a potential girlfriend, Laura, whom he met on the road. She asks if she can stay over his apartment since she cannot find a "decent hotel" (a fact George contests). Jerry invites her but is unsure if her visit is intended to be romantic or not. George and Jerry continue to debate fine details in Laura's conversation with Jerry to determine the true nature of the visit. A character known in the pilot as "Kessler," (who in all future episodes is known as Kramer) joins in asking Jerry why he would even give her a choice about where to sleep by bringing in another bed. The episode gives viewers a quick glimpse at George's profession (real estate) and also Kramer's (questionable get rich quick schemes).
At the airport, George and Jerry continue to talk in an effort to identify the possible signals Laura might give upon her arrival. Laura arrives and takes Jerry (and George) by surprise. The two arrive at Jerry's apartment and he feels uncomfortable with the situation. Laura removes some excess clothing to get comfortable and asks for wine. Jerry believes he has gotten to the bottom of the whole question. His plans are abruptly interrupted when he learns Laura has a fiancé. Jerry realizes he has no chance with Laura but has already committed himself — and his studio apartment — to an entire weekend with her.
Note
The episode does not feature the character of Elaine Benes. Her character was introduced as a result of constructive criticism based on this episode.
Lee Garlington, who played Claire (the waitress at Pete's) in the pilot, although credited as a regular, was not asked to appear in the series and is only featured in this episode.
The restaurant Jerry and George are eating lunch at is known as Pete's Luncheonette in this episode. It will later be known as the well-known Monk's Cafe for the remainder of the series.
It was rebroadcast in 1990 after the show had been picked up as a series.
The episode was written by creators, Larry David & Jerry Seinfeld and was directed by Art Wolff.
Plot
Spoiler warning: Plot and/or ending details follow.
Jerry Seinfeld and George Costanza are seated at Pete's Luncheonette debating over a shirt button. The waitress, Claire, comes over to their table and pours each a cup of coffee. George tells Claire he does not want caffeine in his coffee and Jerry corrects him by telling George she is an expert waitress. The two continue to talk and finally leave when Jerry has to do laundry.
The following evening while watching a late Mets game, he receives a phone call from a potential girlfriend, Laura, whom he met on the road. She asks if she can stay over his apartment since she cannot find a "decent hotel" (a fact George contests). Jerry invites her but is unsure if her visit is intended to be romantic or not. George and Jerry continue to debate fine details in Laura's conversation with Jerry to determine the true nature of the visit. A character known in the pilot as "Kessler," (who in all future episodes is known as Kramer) joins in asking Jerry why he would even give her a choice about where to sleep by bringing in another bed. The episode gives viewers a quick glimpse at George's profession (real estate) and also Kramer's (questionable get rich quick schemes).
At the airport, George and Jerry continue to talk in an effort to identify the possible signals Laura might give upon her arrival. Laura arrives and takes Jerry (and George) by surprise. The two arrive at Jerry's apartment and he feels uncomfortable with the situation. Laura removes some excess clothing to get comfortable and asks for wine. Jerry believes he has gotten to the bottom of the whole question. His plans are abruptly interrupted when he learns Laura has a fiancé. Jerry realizes he has no chance with Laura but has already committed himself — and his studio apartment — to an entire weekend with her.
Note
The episode does not feature the character of Elaine Benes. Her character was introduced as a result of constructive criticism based on this episode.
Lee Garlington, who played Claire (the waitress at Pete's) in the pilot, although credited as a regular, was not asked to appear in the series and is only featured in this episode.
The restaurant Jerry and George are eating lunch at is known as Pete's Luncheonette in this episode. It will later be known as the well-known Monk's Cafe for the remainder of the series.
by P.redeckis June 06, 2006
I Love Lucy is a television sitcom that aired in the 1950s. During that time, it was the most popular American sitcom. It starred comedienne Lucille Ball, her husband Desi Arnaz, Vivian Vance and William Frawley. The series ran from October 15, 1951 to May 6, 1957 on CBS (180 episodes, including the "lost" Christmas episode). This show was ranked #2 on TV Guide's top 50 greatest shows of all time in 2002, behind Seinfeld and ahead of The Honeymooners. The program was filmed at Desilu, the production studio jointly owned by Ball and Arnaz.
The sitcom was based on a radio show starring Lucille Ball and Richard Denning called My Favorite Husband. Denning was enthusiastic to continue his role as Ball's husband, but Ball wanted her real-life husband, Cuban-born musician Desi Arnaz, to play her onscreen spouse. Studio heads were worried that American audiences would not find such a "mixed marriage" to be believable, and were concerned about Arnaz's heavy Cuban accent. But Ball was adamant, and they were eager to have her in the part. To help sway their decision, Ball and Arnaz put together a vaudeville act featuring his music and her comedy, which was well received in several cities. In the end, CBS agreed, but refused to let Desi Arnaz's role be part of the show's title (as in "Lucy and Ricky"). After lengthy negotiations, Arnaz relented and agreed to "I Love Lucy", reasoning that the "I" would be his part.
Arnaz persuaded Karl Freund, cinematographer of Fritz Lang's Metropolis (1927) and Tod Browning's Dracula (1931) as well as director of The Mummy (1932), to be the series' cinematographer, which many critics believe accounts for the show's lustrous black and white cinematography.
Lucille Ball was the last main cast member still living when she died on April 26, 1989. The only living cast member is Keith Thibodeaux (credited as "Richard Keith") who played Lucy and Ricky's young son "Little Ricky" in the last two seasons.
Contents hide
1 The show
2 Innovative techniques
3 Episodes
4 Themes and Highlights
5 Cast
6 Emmy Awards
6.1 I Love Lucy (The Show)
6.2 Lucille Ball
6.3 Desi Arnaz
6.4 Vivian Vance
6.5 William Frawley
7 DVD Releases
8 Trivia
9 References
10 External links
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The show
"Oh Ricky, you're wonderful!"Set in New York City, I Love Lucy is centered around Lucy Ricardo (Lucille Ball), a housewife, her husband Ricky Ricardo (Desi Arnaz), who is a singer and bandleader, and their friends and landlords Fred and Ethel Mertz (William Frawley and Vivian Vance). Most episodes take place in the Ricardos' modest brownstone apartment at 623 East 68th Street — which in reality would be in the middle of the East River — or at the downtown "Tropicana" nightclub where Ricky is employed, and sometimes elsewhere in the city. Later episodes took the Ricardos and the Mertzes to Hollywood for Ricky to shoot a movie, and then they all accompanied Ricky while he and his band toured Europe. Eventually the Ricardos and the Mertzes moved to a house in the rural town of Westport, Connecticut.
Lucy Ricardo is a loving if somewhat naïve housewife with an ambitious character who has a knack for getting herself into trouble. In particular, she is obsessed with joining her husband in show business. Fred and Ethel are themselves former vaudevillians, which strengthens Lucy's resolve to prove herself as a performer. Unfortunately, Lucy Ricardo cannot carry a tune or play anything other than an off-key rendition of "Glow Worm" (or "Sweet Sue") on the saxophone and evidently has no other artistic or managerial talent. Yet Lucy is determined to show everyone around her that she is much more than an ordinary housewife. A typical I Love Lucy episode involves one of Lucy's ambitious but hare-brained schemes, whether it be to sneak into Ricky's nightclub act, find a way to associate with celebrities, show up her fellow women's club members, or simply try to better her life. Usually she ends up in some comedic mess, often dragging in Ethel as her reluctant companion. Legend says that Ricky often cried: "Lucy! You got some 'splainin' to do!" However, like other supposed "famous quotes" (Cary Grant saying "Judy, Judy, Judy", or "Peetah, give me the lettah" by Bette Davis), this line was never actually spoken by Desi Arnaz. Perhaps the closest he came to this line was his admonition to Lucy, "That's no 'scuse!" to which she mockingly answered, "That's plenty 'scuse!"
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Innovative techniques
"It's so tasty, too!"At the time, most television shows were broadcast live from New York City, and a low-quality 35mm or 16mm kinescope print was made of the show to broadcast it in other time zones. But Ball was pregnant at the time, and she and Arnaz therefore insisted on filming the show in Hollywood. The duo, along with co-creator Jess Oppenheimer, then decided to shoot the show on 35 mm film in front of a live studio audience, with three cameras, a technique standard among present-day sitcoms. The result was a much sharper image than other shows of the time, and the audience reactions were far more authentic than the "canned laughter" used on most filmed sitcoms of the time. The technique was not completely new — another CBS comedy series, Amos 'n' Andy, which debuted four months earlier, was already being filmed at Hal Roach Studios with three 35mm cameras to save time and money. But I Love Lucy was the first show to use this technique with a studio audience.
Scenes were often performed like a play, from start to finish, without interruption. As retakes were rare, dialogue mistakes were often played off as intentional as the actors continued. For example, in her last run-through of the famous Vitameatavegamin commercial, Lucy skips to the end of the speech (unscripted), realizes her mistake, and returns to the midpoint without missing her comic timing. This technique allowed the show to remain fresh for years and appear as a "live" performance.
On January 19, 1953 68% of all United States television sets were tuned in to I Love Lucy to watch Lucy give birth. The next month on February 18 Ball and Arnaz signed an $8,000,000 contract to continue I Love Lucy through 1955. After the end of the weekly series, the actors reunited for monthly one-hour specials under the title The Lucy-Desi Comedy Hour.
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Episodes
Main article: List of I Love Lucy episodes
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Themes and Highlights
In the course of the show, numerous comic ideas were introduced, and often reappeared in subsequent episodes. Several bits remain famous and beloved, often listed amongst television's best. The following list reviews some of the high points.
The clown
Considered by professional clowns to be one of their own, Lucille Ball's 'clown character' was "Lucy Ricardo." (nee "Lucille McGillicuddy" — an instantly recognizable clown moniker). Lucy Ricardo was a friendly, ambitious and somewhat naïve housewife, constantly getting into trouble of one kind or another.
The setup of the show provided ample opportunities for Ball to display her skills at clowning and physical comedy. She is regarded as one of the best in the history of film and television at physical 'schtick'.
In the course of the television series, Lucy shared the screen with numerous famous clowns. Prominent among these were Red Skelton and Harpo Marx.
Lucy tries to get into the act — a recurring and almost omnipresent theme on the show, was that "talentless" plain old Lucy the Housewife dearly desired a chance to perform, as anything: a dancer, showgirl, clown, singing cowboy — or in any role. The real joke here is that Lucille Ball, aside from being regarded as beautiful, was also quite talented in a variety of performance arts, as well as being a ground-breaking television producer.
Perhaps the best example of this gag is when Lucy shows up unannounced at Ricky's club, toting a clown-modified cello and pretending to be a musician, asking to speak with "Risky Riskerdoo" (Ricky Ricardo) this classic includes Lucy winding the cello's tuning peg as if it were a watch (to the accompaniment of ratcheting sounds) and shooting the cello's bow at Ricky's backside.
Lucy in the Candy Factory — ("Speeeeeeed it up a little!!") Lucy and Ethel attempt to get jobs — for which they are demonstrably unprepared — the classic candy-gobbling scene in this episode is an American cultural icon. This bit was a variation on an old vaudeville routine. Jackie Gleason also did a variation, involving decorating and boxing cakes as they came off an assembly line.
The Mirror Gag — now a classic improvisational acting exercise (with Harpo Marx), in which Lucy, dressed as Harpo Marx encounters the real Harpo while hiding in the kitchen doorway. Perplexed at what he sees he confronts his reflection and Lucy is forced to mimick his every move. This bit was a tribute to Harpo and Groucho's famous mirror scene in the Marx Brothers comedy classic, Duck Soup.
The Stranger with a Kind Face (aka Slowly I Turned) in which a veteran clown introduces Lucy Ricardo to some basics of the clown art, and is schooled in this classic (and at that time quite familiar) vaudevillian routine, complete with 'seltzer bottles' (a familiar clown prop) and slapstick. The Three Stooges are among many others who performed variations on this classic.
Vita-meata-vege-min — One of the most memorable episodes was titled "Lucy Does a Commercial", filmed during the first season (episode 30 of 35) on March 28, 1952, and first aired on May 5 of that year. In this episode Lucy manages to get a role as the "Vitameatavegamin girl" and is tasked with trying to sell the public a tonic that has healthy amounts of vitamins, meat, vegetables, minerals — and the less than healthy dose of 23% alcohol. "And it's so tasty too - grimacing - just like candy!" During rehearsal, Lucy becomes progressively more inebriated, with the inevitable hilarious result, made only the more funny by the alliterative, tongue twisting product name and pitch. "Do you pop out at parties? Are you unpoopular? Well, the answer to all your troubles is in this bittle lottle!"
In November of 2001, fans voted this episode as their all-time favorite during a 50th anniversary I Love Lucy television special.
Lucy Tries to Meet the Famous Star — another recurring theme, many popular stars were eager to appear on the show, and hilarity ensued in countless episodes as a result of the character, Lucy's obsession with fame and the famous.
The Cousin Ernie story arc. Lucy receives a letter informing her that her "Best Friend's Roommate's Cousin's Middle Boy" — of whom she has never heard — is coming to visit from "Bent Fork, Tennessee". 'Cousin Ernie' (immaculately played by "Tennessee" Ernie Ford) is a stereotypical Country Boy in the Big City, in awe of the sophistication (as he perceives it) of his new hosts. Cousin Ernie and the citizens of Bent Fork and its environs are encountered several times during the course of the show's life.
The Singing Jailbreak — This episode is part of the Hollywood story arc. Ricky, Lucy, Fred, and Ethel participate in a square dance called by Cousin Ernie to escape a Bent Fork, Tennessee jail in the course of which the sheriff and his two rotund daughters are tied up with a handy piece of rope. Then Ricky, Lucy, Fred and Ethel make their escape to continue their cross country venture.
Lucy does the tango - The Ricardos' and the Mertzes' chicken business is not going very well, so Lucy and Ethel come up with a plot to fool the boys into thinking the hens are laying by smuggling eggs in the henhouse, hidden underneath their clothes. However, Ricky insists that he and Lucy rehearse their tango number for a local benefit. Unbeknownst to Ricky, Lucy's blouse is filled with chicken eggs. When Lucy slams into Ricky in the final dance step, the eggs break, saturating Lucy's shirt with broken eggs. The skit resulted in the longest audience laughter in the show's history.
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Cast
Lucille Ball .... Lucille 'Lucy' Esmeralda MacGillicuddy Ricardo
Desi Arnaz .... Enrique 'Ricky' Alberto Ricardo y de Acha III
Vivian Vance .... Ethel Mae Roberta Louise Potter Mertz
William Frawley .... Frederick 'Fred' Hobart Edie Mertz I
Kathryn Card .... Mrs. MacGillicuddy (1955-1956)
Mary Jane Croft .... Betty Ramsey (1957)
Jerry Hausner .... Jerry, Ricky's agent (1951-1954)
Bob Jellison .... Bobby, the Hollywood bellboy (1954-1955)
Keith Thibodeaux .... Ricky Ricardo, Jr. (1956-1957) (as Little Ricky)
Joseph A. & Michael Mayer .... Ricky Ricardo, Jr. (baby) (1953-1954)
Frank Nelson .... Ralph Ramsey (1957)
Elizabeth Patterson .... Mrs. Mathilda Trumbull (1953-1956)
Richard & Ronald Lee Simmons .... Ricky Ricardo, Jr. (baby) (1954-1955)
Doris Singleton .... Caroline Appleby (1953-1957)
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Emmy Awards
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I Love Lucy (The Show)
1952: Nominated - Best Comedy Show
1953: Won - Best Situation Comedy
1954: Won - Best Situation Comedy
1955: Nominated - Best Written Comedy Material: Madelyn Davis, Jess Oppenheimer, Robert G. Carroll
1955: Nominated - Best Situation Comedy
1956: Nominated - Best Comedy Writing: Bob Carroll Jr., Madelyn Davis, Jess Oppenheimer, Bob Schiller, Bob Weiskopf for episode: "L.A. At Last"
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Lucille Ball
1952: Nominated - Best Comedian or Comedienne
1953: Nominated - Most Outstanding Personality
1953: Won - Best Comedienne
1954: Nominated - Best Female Star of Regular Series
1955: Nominated - Best Actress Starring in a Regular Series
1956: Nominated - Best Comedienne
1956: Won - Best Actress - Continuing Performance
1957: Nominated - Best Continuing Performance by a Comedienne in a Series
1958: Nominated - Best Continuing Performance (Female) in a Series by a Comedienne, Singer, Hostess, Dancer, M.C., Announcer, Narrator, Panelist, or any Person who Essentially Plays Herself
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Desi Arnaz
Never nominated.
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Vivian Vance
1954: Won - Best Series Supporting Actress
1955: Nominated - Best Supporting Actress in a Regular Series
1957: Nominated - Best Supporting Performance by an Actress
1958: Nominated - Best Continuing Supporting Performance by an Actress in a Dramatic or Comedy Series
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William Frawley
1954: Nominated - Best Series Supporting Actor
1955: Nominated - Best Supporting Actor in a Regular Series
1956: Nominated - Best Actor in a Supporting Role
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DVD Releases
"I Love Lucy- Season 1" (9 Separate disks, sold separately)
"I Love Lucy- 50th Anniversary Special"
"I Love Lucy- The Complete First Season" (7 disks, sold together)
"I Love Lucy- The Complete Second Season"
"I Love Lucy- The Complete Third Season"
"I Love Lucy- The Complete Fourth Season"
"I Love Lucy- The Complete Fifth Season"
"I Love Lucy- Seasons 1-5"
"I Love Lucy- The Complete Sixth Season"
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Trivia
Gale Gordon and Bea Benaderet were originally approached for the roles of Fred and Ethel, but neither could accept due to previous commitments. Gordon did appear as a guest star in a few episodes, playing Ricky's boss, Mr. Littlefield. Gordon was a veteran from the classic radio days in which he perfected the role of the exasperated character, such as in Fibber McGee and Molly. He would go on to costar with Ball in most of her post-I Love Lucy series. Benaderet once guest starred playing the Ricardo's neighbor, the elderly Miss Lewis.
At various times, Ethel's middle name was Mae, Roberta, and Louise.
The Mertz's kitchen was never shown except in the episode, "Never Do Business With Friends".
Lucille Ball liked naming supporting characters after real-life people. Carolyn Appleby was one of her teachers, and Marion Strong was a friend in Jamestown, New York.
Kathryn Card, who played Lucy's scatterbrained mother, first appeared in the series as a slovenly housewife who mistakenly believes Ricky Ricardo has invited her to join him on a date at the Tropicana.
Barbara Pepper, later featured as Doris Ziffel on the series Green Acres, frequently had one or two lines in a crowd scene. Her friendship with Ball dated back to the film Roman Scandals, in which both appeared as Goldwyn Girls.
Many facts about Ball and Arnaz made it into the series. Like Ball, Lucy Ricardo attended high school in Celoron, New York, and the Ricardos were married at the Byram River Beagle Club in Greenwich, Connecticut, just as the Arnazes had been.
Reportedly, the longest laugh in any sitcom ever — 65 seconds — was heard in the episode Lucy Does the Tango, during which Lucy - her jacket filled with raw eggs — slams into Ricky and breaks them while rehearsing a tango routine for the PTA show.
The show was one of the first programmes made in the USA seen on British television which became more open to commerce with the launch of ITV in September 1955, a commercial network that aired this series.
Ball and Arnaz capitalized on the series' popularity by starring in Vincente Minnelli's 1953 film The Long, Long Trailer as Tacy and Nicky Collini, two characters very similar to Lucy and Ricky, named Tacy and Nicky.
I Love Lucy is commonly spoofed, including on an episode of The Fairly Oddparents, in which Cosmo and Wanda go into a TV and star in a fictional show called I Love Wanda.
Ethel Mertz née Potter is originally from Albuquerque, New Mexico.
Ethel Mertz and Betty Ramsey, the neighbor from the later seasons, were childhood friends.
I Love Lucy is the first of only three shows to end its run as the #1 TV show in America. The other two are The Andy Griffith Show in 1968 and Seinfeld in 1998.
It is now well-known that Vance and Frawley did not get along, a fact which seemingly added some humorous edge to their on-screen interaction. When the series ended, Vance and Frawley were said to have been offered a chance to take their Fred and Ethel characters to their own spin-off series. Frawley was willing to do so, but Vance refused to ever work with Frawley again.
Ball and Arnaz's eventual off-screen personal problems had a much more serious effect, contributing to the demise of the show.
The last episodes of the series had to be made, even though Ball and Arnaz were divorcing/divorced. A contract had been signed before the two began to have major problems, and it wasn't lifted. This is why in the last episodes of the series, one can see Ball looking as if she had just been crying, even in supposed-to-be funny skits.
The familiar opening featuring the credits superimposed over a "heart" image, known to most of the show's younger fans, was created specifically when I Love Lucy went into syndication. When originally broadcast on CBS, the episodes featured an opening with animated drawings of Ball and Arnaz, making reference to whomever the particular episode's sponsor was (usually Phillip Morris). Since the original sponsor references were no longer applicable when the shows went into syndication, the new opening was created. These openings (with the sponsor names edited out) are now used on TV Land showings.
"Weird Al" Yankovic parodied the TV show, as well as Toni Basil's song "Mickey", in the song "Ricky" on his 1983 debut album, working in many of the show's classic schticks and closing with a segment of the I Love Lucy theme. Yankovic also produced an album of the show's greatest musical moments entitled Babalu Music.
On Babylon 5, Ambassador Sinclair refers to himself and Captain Sheridan as "Lucy and Ethel." Sheridan responds, "Lucy and Ethel?"
In the movie Rat Race one of the characters pretends to be a coach driver and drives a group of women, dressed up as Lucy to the "Third annual I Love Lucy Convention"
It's been rumored that Arnaz had a photographic memory, able to remember the scripts perfectly after reading them just one time.
The series is as of April 2006 the longest running program to continue airing in the Los Angeles area almost 50 years after it ended. Ironically, the series is currently aired on KTTV, which had given up the CBS affiliation several months before I Love Lucy premiered.
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References
Joe Garner, Stay Tuned: Television's Unforgettable Moments (Andrews McMeel Publishing; 2002) ISBN 0-7407-2693-5
Bart Andrews, The 'I Love Lucy' Book (Doubleday & Company, Inc.; 1976)
Coyne Steven Sanders & Tom Gilbert, Desilu: The Story of Lucille Ball and Desi Arnaz (William Morrow & Company, Inc.; 1993)
The sitcom was based on a radio show starring Lucille Ball and Richard Denning called My Favorite Husband. Denning was enthusiastic to continue his role as Ball's husband, but Ball wanted her real-life husband, Cuban-born musician Desi Arnaz, to play her onscreen spouse. Studio heads were worried that American audiences would not find such a "mixed marriage" to be believable, and were concerned about Arnaz's heavy Cuban accent. But Ball was adamant, and they were eager to have her in the part. To help sway their decision, Ball and Arnaz put together a vaudeville act featuring his music and her comedy, which was well received in several cities. In the end, CBS agreed, but refused to let Desi Arnaz's role be part of the show's title (as in "Lucy and Ricky"). After lengthy negotiations, Arnaz relented and agreed to "I Love Lucy", reasoning that the "I" would be his part.
Arnaz persuaded Karl Freund, cinematographer of Fritz Lang's Metropolis (1927) and Tod Browning's Dracula (1931) as well as director of The Mummy (1932), to be the series' cinematographer, which many critics believe accounts for the show's lustrous black and white cinematography.
Lucille Ball was the last main cast member still living when she died on April 26, 1989. The only living cast member is Keith Thibodeaux (credited as "Richard Keith") who played Lucy and Ricky's young son "Little Ricky" in the last two seasons.
Contents hide
1 The show
2 Innovative techniques
3 Episodes
4 Themes and Highlights
5 Cast
6 Emmy Awards
6.1 I Love Lucy (The Show)
6.2 Lucille Ball
6.3 Desi Arnaz
6.4 Vivian Vance
6.5 William Frawley
7 DVD Releases
8 Trivia
9 References
10 External links
edit
The show
"Oh Ricky, you're wonderful!"Set in New York City, I Love Lucy is centered around Lucy Ricardo (Lucille Ball), a housewife, her husband Ricky Ricardo (Desi Arnaz), who is a singer and bandleader, and their friends and landlords Fred and Ethel Mertz (William Frawley and Vivian Vance). Most episodes take place in the Ricardos' modest brownstone apartment at 623 East 68th Street — which in reality would be in the middle of the East River — or at the downtown "Tropicana" nightclub where Ricky is employed, and sometimes elsewhere in the city. Later episodes took the Ricardos and the Mertzes to Hollywood for Ricky to shoot a movie, and then they all accompanied Ricky while he and his band toured Europe. Eventually the Ricardos and the Mertzes moved to a house in the rural town of Westport, Connecticut.
Lucy Ricardo is a loving if somewhat naïve housewife with an ambitious character who has a knack for getting herself into trouble. In particular, she is obsessed with joining her husband in show business. Fred and Ethel are themselves former vaudevillians, which strengthens Lucy's resolve to prove herself as a performer. Unfortunately, Lucy Ricardo cannot carry a tune or play anything other than an off-key rendition of "Glow Worm" (or "Sweet Sue") on the saxophone and evidently has no other artistic or managerial talent. Yet Lucy is determined to show everyone around her that she is much more than an ordinary housewife. A typical I Love Lucy episode involves one of Lucy's ambitious but hare-brained schemes, whether it be to sneak into Ricky's nightclub act, find a way to associate with celebrities, show up her fellow women's club members, or simply try to better her life. Usually she ends up in some comedic mess, often dragging in Ethel as her reluctant companion. Legend says that Ricky often cried: "Lucy! You got some 'splainin' to do!" However, like other supposed "famous quotes" (Cary Grant saying "Judy, Judy, Judy", or "Peetah, give me the lettah" by Bette Davis), this line was never actually spoken by Desi Arnaz. Perhaps the closest he came to this line was his admonition to Lucy, "That's no 'scuse!" to which she mockingly answered, "That's plenty 'scuse!"
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Innovative techniques
"It's so tasty, too!"At the time, most television shows were broadcast live from New York City, and a low-quality 35mm or 16mm kinescope print was made of the show to broadcast it in other time zones. But Ball was pregnant at the time, and she and Arnaz therefore insisted on filming the show in Hollywood. The duo, along with co-creator Jess Oppenheimer, then decided to shoot the show on 35 mm film in front of a live studio audience, with three cameras, a technique standard among present-day sitcoms. The result was a much sharper image than other shows of the time, and the audience reactions were far more authentic than the "canned laughter" used on most filmed sitcoms of the time. The technique was not completely new — another CBS comedy series, Amos 'n' Andy, which debuted four months earlier, was already being filmed at Hal Roach Studios with three 35mm cameras to save time and money. But I Love Lucy was the first show to use this technique with a studio audience.
Scenes were often performed like a play, from start to finish, without interruption. As retakes were rare, dialogue mistakes were often played off as intentional as the actors continued. For example, in her last run-through of the famous Vitameatavegamin commercial, Lucy skips to the end of the speech (unscripted), realizes her mistake, and returns to the midpoint without missing her comic timing. This technique allowed the show to remain fresh for years and appear as a "live" performance.
On January 19, 1953 68% of all United States television sets were tuned in to I Love Lucy to watch Lucy give birth. The next month on February 18 Ball and Arnaz signed an $8,000,000 contract to continue I Love Lucy through 1955. After the end of the weekly series, the actors reunited for monthly one-hour specials under the title The Lucy-Desi Comedy Hour.
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Episodes
Main article: List of I Love Lucy episodes
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Themes and Highlights
In the course of the show, numerous comic ideas were introduced, and often reappeared in subsequent episodes. Several bits remain famous and beloved, often listed amongst television's best. The following list reviews some of the high points.
The clown
Considered by professional clowns to be one of their own, Lucille Ball's 'clown character' was "Lucy Ricardo." (nee "Lucille McGillicuddy" — an instantly recognizable clown moniker). Lucy Ricardo was a friendly, ambitious and somewhat naïve housewife, constantly getting into trouble of one kind or another.
The setup of the show provided ample opportunities for Ball to display her skills at clowning and physical comedy. She is regarded as one of the best in the history of film and television at physical 'schtick'.
In the course of the television series, Lucy shared the screen with numerous famous clowns. Prominent among these were Red Skelton and Harpo Marx.
Lucy tries to get into the act — a recurring and almost omnipresent theme on the show, was that "talentless" plain old Lucy the Housewife dearly desired a chance to perform, as anything: a dancer, showgirl, clown, singing cowboy — or in any role. The real joke here is that Lucille Ball, aside from being regarded as beautiful, was also quite talented in a variety of performance arts, as well as being a ground-breaking television producer.
Perhaps the best example of this gag is when Lucy shows up unannounced at Ricky's club, toting a clown-modified cello and pretending to be a musician, asking to speak with "Risky Riskerdoo" (Ricky Ricardo) this classic includes Lucy winding the cello's tuning peg as if it were a watch (to the accompaniment of ratcheting sounds) and shooting the cello's bow at Ricky's backside.
Lucy in the Candy Factory — ("Speeeeeeed it up a little!!") Lucy and Ethel attempt to get jobs — for which they are demonstrably unprepared — the classic candy-gobbling scene in this episode is an American cultural icon. This bit was a variation on an old vaudeville routine. Jackie Gleason also did a variation, involving decorating and boxing cakes as they came off an assembly line.
The Mirror Gag — now a classic improvisational acting exercise (with Harpo Marx), in which Lucy, dressed as Harpo Marx encounters the real Harpo while hiding in the kitchen doorway. Perplexed at what he sees he confronts his reflection and Lucy is forced to mimick his every move. This bit was a tribute to Harpo and Groucho's famous mirror scene in the Marx Brothers comedy classic, Duck Soup.
The Stranger with a Kind Face (aka Slowly I Turned) in which a veteran clown introduces Lucy Ricardo to some basics of the clown art, and is schooled in this classic (and at that time quite familiar) vaudevillian routine, complete with 'seltzer bottles' (a familiar clown prop) and slapstick. The Three Stooges are among many others who performed variations on this classic.
Vita-meata-vege-min — One of the most memorable episodes was titled "Lucy Does a Commercial", filmed during the first season (episode 30 of 35) on March 28, 1952, and first aired on May 5 of that year. In this episode Lucy manages to get a role as the "Vitameatavegamin girl" and is tasked with trying to sell the public a tonic that has healthy amounts of vitamins, meat, vegetables, minerals — and the less than healthy dose of 23% alcohol. "And it's so tasty too - grimacing - just like candy!" During rehearsal, Lucy becomes progressively more inebriated, with the inevitable hilarious result, made only the more funny by the alliterative, tongue twisting product name and pitch. "Do you pop out at parties? Are you unpoopular? Well, the answer to all your troubles is in this bittle lottle!"
In November of 2001, fans voted this episode as their all-time favorite during a 50th anniversary I Love Lucy television special.
Lucy Tries to Meet the Famous Star — another recurring theme, many popular stars were eager to appear on the show, and hilarity ensued in countless episodes as a result of the character, Lucy's obsession with fame and the famous.
The Cousin Ernie story arc. Lucy receives a letter informing her that her "Best Friend's Roommate's Cousin's Middle Boy" — of whom she has never heard — is coming to visit from "Bent Fork, Tennessee". 'Cousin Ernie' (immaculately played by "Tennessee" Ernie Ford) is a stereotypical Country Boy in the Big City, in awe of the sophistication (as he perceives it) of his new hosts. Cousin Ernie and the citizens of Bent Fork and its environs are encountered several times during the course of the show's life.
The Singing Jailbreak — This episode is part of the Hollywood story arc. Ricky, Lucy, Fred, and Ethel participate in a square dance called by Cousin Ernie to escape a Bent Fork, Tennessee jail in the course of which the sheriff and his two rotund daughters are tied up with a handy piece of rope. Then Ricky, Lucy, Fred and Ethel make their escape to continue their cross country venture.
Lucy does the tango - The Ricardos' and the Mertzes' chicken business is not going very well, so Lucy and Ethel come up with a plot to fool the boys into thinking the hens are laying by smuggling eggs in the henhouse, hidden underneath their clothes. However, Ricky insists that he and Lucy rehearse their tango number for a local benefit. Unbeknownst to Ricky, Lucy's blouse is filled with chicken eggs. When Lucy slams into Ricky in the final dance step, the eggs break, saturating Lucy's shirt with broken eggs. The skit resulted in the longest audience laughter in the show's history.
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Cast
Lucille Ball .... Lucille 'Lucy' Esmeralda MacGillicuddy Ricardo
Desi Arnaz .... Enrique 'Ricky' Alberto Ricardo y de Acha III
Vivian Vance .... Ethel Mae Roberta Louise Potter Mertz
William Frawley .... Frederick 'Fred' Hobart Edie Mertz I
Kathryn Card .... Mrs. MacGillicuddy (1955-1956)
Mary Jane Croft .... Betty Ramsey (1957)
Jerry Hausner .... Jerry, Ricky's agent (1951-1954)
Bob Jellison .... Bobby, the Hollywood bellboy (1954-1955)
Keith Thibodeaux .... Ricky Ricardo, Jr. (1956-1957) (as Little Ricky)
Joseph A. & Michael Mayer .... Ricky Ricardo, Jr. (baby) (1953-1954)
Frank Nelson .... Ralph Ramsey (1957)
Elizabeth Patterson .... Mrs. Mathilda Trumbull (1953-1956)
Richard & Ronald Lee Simmons .... Ricky Ricardo, Jr. (baby) (1954-1955)
Doris Singleton .... Caroline Appleby (1953-1957)
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Emmy Awards
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I Love Lucy (The Show)
1952: Nominated - Best Comedy Show
1953: Won - Best Situation Comedy
1954: Won - Best Situation Comedy
1955: Nominated - Best Written Comedy Material: Madelyn Davis, Jess Oppenheimer, Robert G. Carroll
1955: Nominated - Best Situation Comedy
1956: Nominated - Best Comedy Writing: Bob Carroll Jr., Madelyn Davis, Jess Oppenheimer, Bob Schiller, Bob Weiskopf for episode: "L.A. At Last"
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Lucille Ball
1952: Nominated - Best Comedian or Comedienne
1953: Nominated - Most Outstanding Personality
1953: Won - Best Comedienne
1954: Nominated - Best Female Star of Regular Series
1955: Nominated - Best Actress Starring in a Regular Series
1956: Nominated - Best Comedienne
1956: Won - Best Actress - Continuing Performance
1957: Nominated - Best Continuing Performance by a Comedienne in a Series
1958: Nominated - Best Continuing Performance (Female) in a Series by a Comedienne, Singer, Hostess, Dancer, M.C., Announcer, Narrator, Panelist, or any Person who Essentially Plays Herself
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Desi Arnaz
Never nominated.
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Vivian Vance
1954: Won - Best Series Supporting Actress
1955: Nominated - Best Supporting Actress in a Regular Series
1957: Nominated - Best Supporting Performance by an Actress
1958: Nominated - Best Continuing Supporting Performance by an Actress in a Dramatic or Comedy Series
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William Frawley
1954: Nominated - Best Series Supporting Actor
1955: Nominated - Best Supporting Actor in a Regular Series
1956: Nominated - Best Actor in a Supporting Role
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DVD Releases
"I Love Lucy- Season 1" (9 Separate disks, sold separately)
"I Love Lucy- 50th Anniversary Special"
"I Love Lucy- The Complete First Season" (7 disks, sold together)
"I Love Lucy- The Complete Second Season"
"I Love Lucy- The Complete Third Season"
"I Love Lucy- The Complete Fourth Season"
"I Love Lucy- The Complete Fifth Season"
"I Love Lucy- Seasons 1-5"
"I Love Lucy- The Complete Sixth Season"
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Trivia
Gale Gordon and Bea Benaderet were originally approached for the roles of Fred and Ethel, but neither could accept due to previous commitments. Gordon did appear as a guest star in a few episodes, playing Ricky's boss, Mr. Littlefield. Gordon was a veteran from the classic radio days in which he perfected the role of the exasperated character, such as in Fibber McGee and Molly. He would go on to costar with Ball in most of her post-I Love Lucy series. Benaderet once guest starred playing the Ricardo's neighbor, the elderly Miss Lewis.
At various times, Ethel's middle name was Mae, Roberta, and Louise.
The Mertz's kitchen was never shown except in the episode, "Never Do Business With Friends".
Lucille Ball liked naming supporting characters after real-life people. Carolyn Appleby was one of her teachers, and Marion Strong was a friend in Jamestown, New York.
Kathryn Card, who played Lucy's scatterbrained mother, first appeared in the series as a slovenly housewife who mistakenly believes Ricky Ricardo has invited her to join him on a date at the Tropicana.
Barbara Pepper, later featured as Doris Ziffel on the series Green Acres, frequently had one or two lines in a crowd scene. Her friendship with Ball dated back to the film Roman Scandals, in which both appeared as Goldwyn Girls.
Many facts about Ball and Arnaz made it into the series. Like Ball, Lucy Ricardo attended high school in Celoron, New York, and the Ricardos were married at the Byram River Beagle Club in Greenwich, Connecticut, just as the Arnazes had been.
Reportedly, the longest laugh in any sitcom ever — 65 seconds — was heard in the episode Lucy Does the Tango, during which Lucy - her jacket filled with raw eggs — slams into Ricky and breaks them while rehearsing a tango routine for the PTA show.
The show was one of the first programmes made in the USA seen on British television which became more open to commerce with the launch of ITV in September 1955, a commercial network that aired this series.
Ball and Arnaz capitalized on the series' popularity by starring in Vincente Minnelli's 1953 film The Long, Long Trailer as Tacy and Nicky Collini, two characters very similar to Lucy and Ricky, named Tacy and Nicky.
I Love Lucy is commonly spoofed, including on an episode of The Fairly Oddparents, in which Cosmo and Wanda go into a TV and star in a fictional show called I Love Wanda.
Ethel Mertz née Potter is originally from Albuquerque, New Mexico.
Ethel Mertz and Betty Ramsey, the neighbor from the later seasons, were childhood friends.
I Love Lucy is the first of only three shows to end its run as the #1 TV show in America. The other two are The Andy Griffith Show in 1968 and Seinfeld in 1998.
It is now well-known that Vance and Frawley did not get along, a fact which seemingly added some humorous edge to their on-screen interaction. When the series ended, Vance and Frawley were said to have been offered a chance to take their Fred and Ethel characters to their own spin-off series. Frawley was willing to do so, but Vance refused to ever work with Frawley again.
Ball and Arnaz's eventual off-screen personal problems had a much more serious effect, contributing to the demise of the show.
The last episodes of the series had to be made, even though Ball and Arnaz were divorcing/divorced. A contract had been signed before the two began to have major problems, and it wasn't lifted. This is why in the last episodes of the series, one can see Ball looking as if she had just been crying, even in supposed-to-be funny skits.
The familiar opening featuring the credits superimposed over a "heart" image, known to most of the show's younger fans, was created specifically when I Love Lucy went into syndication. When originally broadcast on CBS, the episodes featured an opening with animated drawings of Ball and Arnaz, making reference to whomever the particular episode's sponsor was (usually Phillip Morris). Since the original sponsor references were no longer applicable when the shows went into syndication, the new opening was created. These openings (with the sponsor names edited out) are now used on TV Land showings.
"Weird Al" Yankovic parodied the TV show, as well as Toni Basil's song "Mickey", in the song "Ricky" on his 1983 debut album, working in many of the show's classic schticks and closing with a segment of the I Love Lucy theme. Yankovic also produced an album of the show's greatest musical moments entitled Babalu Music.
On Babylon 5, Ambassador Sinclair refers to himself and Captain Sheridan as "Lucy and Ethel." Sheridan responds, "Lucy and Ethel?"
In the movie Rat Race one of the characters pretends to be a coach driver and drives a group of women, dressed up as Lucy to the "Third annual I Love Lucy Convention"
It's been rumored that Arnaz had a photographic memory, able to remember the scripts perfectly after reading them just one time.
The series is as of April 2006 the longest running program to continue airing in the Los Angeles area almost 50 years after it ended. Ironically, the series is currently aired on KTTV, which had given up the CBS affiliation several months before I Love Lucy premiered.
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References
Joe Garner, Stay Tuned: Television's Unforgettable Moments (Andrews McMeel Publishing; 2002) ISBN 0-7407-2693-5
Bart Andrews, The 'I Love Lucy' Book (Doubleday & Company, Inc.; 1976)
Coyne Steven Sanders & Tom Gilbert, Desilu: The Story of Lucille Ball and Desi Arnaz (William Morrow & Company, Inc.; 1993)
by P.redeckis June 10, 2006
Piett was a loyal Imperial officer aboard Darth Vader's flagship, the Executor, during the Hoth campaign. As an attentive Captain aboard the Super Star Destroyer, he was more creatively minded than his by-the-manual superior, Admiral Ozzel. After Ozzel committed a fatal mistake during the hunt for the Rebels, Darth Vader promoted Piett to Admiral in his place.
Piett served in this capacity during the Battle of Endor. He perished aboard his vessel when a wayward A-wing starfighter crashed into the Executor's bridge.
Piett served in this capacity during the Battle of Endor. He perished aboard his vessel when a wayward A-wing starfighter crashed into the Executor's bridge.
by P.redeckis June 08, 2006