Lorelili's definitions
The wealthy industrialist rolled his eyes in callous disdain as he brushed past a crying child begging for help.
The school bully callously humiliated a helpless newcomer.
The school bully callously humiliated a helpless newcomer.
by Lorelili November 19, 2012
Get the callous mug.A form of art that uses language. Poets use the beauty of a language and its words to create a feeling or convey a message to the reader, whether the wording is soft, sweet, sunny, and a lovely walk through a meadow... or clotted, ugly, grungy, and conjures up images of a slum. Just like artists use images and colors to create a mood or message, poets use words to do the same thing.
Poetry has been around for over 5,00 years and it's still young, vibrant, and growing. Poetry might even go further into the past, since most people memorized poetry and passed it on orally; 5,000-year-old poems from Mesopotamia could have already been old when they were written.
The practice of memorizing poetery and passing it on by word of mouth is pretty much gone.
Humans change, but maybe their nature doesn't change very much; practically everything that could be said through poetry has already been said, often many times, albeit in different ways. Poets must be original and avoid any cliché if they want to look competent.
Poetry has been around for over 5,00 years and it's still young, vibrant, and growing. Poetry might even go further into the past, since most people memorized poetry and passed it on orally; 5,000-year-old poems from Mesopotamia could have already been old when they were written.
The practice of memorizing poetery and passing it on by word of mouth is pretty much gone.
Humans change, but maybe their nature doesn't change very much; practically everything that could be said through poetry has already been said, often many times, albeit in different ways. Poets must be original and avoid any cliché if they want to look competent.
#1244
Chan eil fìor. Abair thugam (It’s not true. Say to me)
Nach eil fìor. Mas e ur toil e... (That it’s not true. If you please...)
O h-iochdaist! ‘N dualchas sin ann- (O goodness! That culture there-)
Mar a bhuin dhuinn o cheann fhada... (What belonged to us long ago...)
Sean dòighean mar a bh’againn... (Ancient ways that we had...)
Rudan gun robh, ‘s nach eil a-nis... (Things that were, and that are no more...)
Ar daoine, ar dualchas glan... (Our people, our pristine culture...)
Am faic sinn iad a-chaoidh a-rithist...? (Will we ever see them again...?)
Seallaibh! Na òg daoine seo... (Behold! These young ones...)
Nach faic sinn tannasgan idir... (That will not see us ghosts at all...)
Fhathast th’ann beagan gun tog (Yet there are some that will)
Ar dòighean suas. Th’iad òg, làidir... (Pick our old ways up. They are young, strong...)
Linnean o cheann, bha sinn ‘nar (Ages ago, we were a)
Clì gun do riaghal thar an tìr (Force that reigned over the land)
Far an dh’fhan sinne... ‘s an nuair (Where we lived... and then)
Sin nuair thàinig iad: an-iochd fìor... (They came: true cruelty...)
Ciamer a ‘s thèid do àite (How can a place)
Bi mar seo: cho mòr ‘s cho dòmhail...? (Be like this: so spacious and so crowded...?)
Tha ‘n guthan seo nas ciùine... (These voices are quieter...)
Dh’fhàs iad nas ciùine anns an dail (They became calmer in)
Seo. O cheann thàinig iadsan... (This meadow. Since they arrived...)
Chan urrainn dhomhsa chuimhneachadh (I cannot remember)
Na rudan gun rinn sinn an (The things that we did)
Uair sin. Ar n-aodach, ar taighean... (Then. Our clothing, our houses...)
Chan eil fìor. Abair thugam (It’s not true. Say to me)
Nach eil fìor. Mas e ur toil e... (That it’s not true. If you please...)
O h-iochdaist! ‘N dualchas sin ann- (O goodness! That culture there-)
Mar a bhuin dhuinn o cheann fhada... (What belonged to us long ago...)
Sean dòighean mar a bh’againn... (Ancient ways that we had...)
Rudan gun robh, ‘s nach eil a-nis... (Things that were, and that are no more...)
Ar daoine, ar dualchas glan... (Our people, our pristine culture...)
Am faic sinn iad a-chaoidh a-rithist...? (Will we ever see them again...?)
Seallaibh! Na òg daoine seo... (Behold! These young ones...)
Nach faic sinn tannasgan idir... (That will not see us ghosts at all...)
Fhathast th’ann beagan gun tog (Yet there are some that will)
Ar dòighean suas. Th’iad òg, làidir... (Pick our old ways up. They are young, strong...)
Linnean o cheann, bha sinn ‘nar (Ages ago, we were a)
Clì gun do riaghal thar an tìr (Force that reigned over the land)
Far an dh’fhan sinne... ‘s an nuair (Where we lived... and then)
Sin nuair thàinig iad: an-iochd fìor... (They came: true cruelty...)
Ciamer a ‘s thèid do àite (How can a place)
Bi mar seo: cho mòr ‘s cho dòmhail...? (Be like this: so spacious and so crowded...?)
Tha ‘n guthan seo nas ciùine... (These voices are quieter...)
Dh’fhàs iad nas ciùine anns an dail (They became calmer in)
Seo. O cheann thàinig iadsan... (This meadow. Since they arrived...)
Chan urrainn dhomhsa chuimhneachadh (I cannot remember)
Na rudan gun rinn sinn an (The things that we did)
Uair sin. Ar n-aodach, ar taighean... (Then. Our clothing, our houses...)
by Lorelili March 26, 2005
Get the poetry mug.A supposed meeting of those who practice witchcraft and other rites.
In Europe during the Burning Times of the Early Modern Period, the mass paranoia of the times fed the belief that witches, at special times of the year, flew to these secret meetings/ festivities held in remote areas, typically in the forest or in the mountains (places like Brocken or Bald Mountain). The popular imagination envisioned a secret society that turned every moral norm of mainstream society on its head.
In Europe during the Burning Times of the Early Modern Period, the mass paranoia of the times fed the belief that witches, at special times of the year, flew to these secret meetings/ festivities held in remote areas, typically in the forest or in the mountains (places like Brocken or Bald Mountain). The popular imagination envisioned a secret society that turned every moral norm of mainstream society on its head.
At the witches sabbath, Satan was supposed to have presided over the congregation and initiated new witches in a face-to-face pact. The Sabbath was imagined to begin with a mockery of Christian rites and "baptism" with new satanic names, building into an orgy of naked dancing, sex with demons (including Satan himself), and gluttonous feasting on the flesh of human infants.
by Lorelili October 29, 2011
Get the witches sabbath mug.Of a quiet, modest, unassuming, reserved nature. Somebody who is serious or sober (moderate, self-controlled) and even shy. For most of the 1800s, this was the ideal for a woman, as illustrated in Jane Austen's works and the works of many poets, writers, artists, and leaders. Not necessarily a doormat, but certainly a docile, gentle kind of persona.
The boy next door was enraptured by the ingenue, a shy, demure thing with big doe eyes and a sweet disposition.
He was a demure, unpretentious young man with his feet planted on the ground.
He was a demure, unpretentious young man with his feet planted on the ground.
by Lorelili July 22, 2011
Get the demure mug.Slang term for somebody with a genetic predisposition for bad behavior (and is potentially a bad influence on others).
The title of a 1954 novel by William March and of a 1955 play based on the book (and a 1956 film based on the play) about eight-year-old Rhoda Penmark, a girl who seems to have been born evil. Despite coming from a loving home, she is a sociopath who is willing to kill to get what she wants.
The title of a 1954 novel by William March and of a 1955 play based on the book (and a 1956 film based on the play) about eight-year-old Rhoda Penmark, a girl who seems to have been born evil. Despite coming from a loving home, she is a sociopath who is willing to kill to get what she wants.
Rhoda Penmark, the original "bad seed", is a precocious con artist who uses her cute, innocent facade to manipulate adults to get what she wants. Her tricks don't work on other children, who can sense who she really is and avoid her.
It is implied heavily that Rhoda's behavior is genetic; her maternal grandmother was a serial killer who was executed for numerous poisonings. Rhoda's mother, who was adopted at a young age, has always sensed something wrong with her daughter and is suspicious when Rhoda is strangely nonchalant about her classmate's sudden, mysterious death.
It is implied heavily that Rhoda's behavior is genetic; her maternal grandmother was a serial killer who was executed for numerous poisonings. Rhoda's mother, who was adopted at a young age, has always sensed something wrong with her daughter and is suspicious when Rhoda is strangely nonchalant about her classmate's sudden, mysterious death.
by Lorelili July 12, 2011
Get the bad seed mug.In music, this refers to the best-sounding and most comfortable range for a singer (or an instrument), to the color and quality of the voice.
A singer's tessitura depends on where their voice sounds the strongest (and most comfortable);
Sopranos and tenors sound the strongest and most at ease in their high notes but weaker in their low notes;
Mezzo-sopranos and baritones sound weaker and less comfortable in their high notes but strongest and most comfortable in mid-range and strong in their low notes;
Contraltos and basses sound the strongest and most comfortable in their low notes and weaker in their high notes.
A singer's tessitura depends on where their voice sounds the strongest (and most comfortable);
Sopranos and tenors sound the strongest and most at ease in their high notes but weaker in their low notes;
Mezzo-sopranos and baritones sound weaker and less comfortable in their high notes but strongest and most comfortable in mid-range and strong in their low notes;
Contraltos and basses sound the strongest and most comfortable in their low notes and weaker in their high notes.
Tessitura is a good determiner of voice type; range alone does not tell where a voice sounds its best and vocal color on its own does not determine either of those.
Sopranos and tenors generally sound bright, contraltos and basses generally sound dark, and mezzo-sopranos and baritones are of medium color. But a singer can sound as bright and sunny as a soprano and have a contralto tessitura or another can sound like a baritone yet have the tessitura of a tenor.
Sarah Brightman has a bright, lightweight voice and the tessitura of a soprano.
Allison Crowe has a heavy, rather dark voice and the tessitura of a soprano.
Idina Menzel's voice is lightweight, has a bright color and the tessitura of a mezzo-soprano.
Annie Lennox has a dark, heavy voice and a contralto tessitura.
Sopranos and tenors generally sound bright, contraltos and basses generally sound dark, and mezzo-sopranos and baritones are of medium color. But a singer can sound as bright and sunny as a soprano and have a contralto tessitura or another can sound like a baritone yet have the tessitura of a tenor.
Sarah Brightman has a bright, lightweight voice and the tessitura of a soprano.
Allison Crowe has a heavy, rather dark voice and the tessitura of a soprano.
Idina Menzel's voice is lightweight, has a bright color and the tessitura of a mezzo-soprano.
Annie Lennox has a dark, heavy voice and a contralto tessitura.
by Lorelili July 6, 2011
Get the tessitura mug.Sexually Transmitted Infection/Illness
Another way to say STD (Sexually Transmitted Disease)
Is usually tranmitted through vaginal sex, oral sex, and anal sex, but can be transmitted through breast milk, blood transfusions, and shared drug needles, among other things.
Promiscuous people (Britney Spears, prostitutes (which are synonymous with Britney), teenage boys, among others) are especially likely to have an STI.
Another way to say STD (Sexually Transmitted Disease)
Is usually tranmitted through vaginal sex, oral sex, and anal sex, but can be transmitted through breast milk, blood transfusions, and shared drug needles, among other things.
Promiscuous people (Britney Spears, prostitutes (which are synonymous with Britney), teenage boys, among others) are especially likely to have an STI.
STIs are so much fun! ...Not! Clamydia, an clap silteach (Gonorrhea), Syphillis, breac bhoiceannach (Herpes), lionnachadh-grùthain (Hepatitis), an galar seirge (HIV), is that really worth sex without a condom? Throw you life away with one little fling? Try a condom and you'll see how romantic that they can be.
by Lorelili March 19, 2005
Get the sti mug.