20 definitions by THE REAL JULIA
The individual, or group of individuals, involved in obsessive adoration of entertainers such as musicians, actors, athletes, and even political figures. Behaviors are juvenile and influenced oftentimes by crush-like emotions or lustful sentiments, and often infringe the rights of the figure experiencing the attentions of a frenzied fanatic.
Obsessive research and knowledge concerning the "likes/dislikes," genevation, habits, pet peeves, and other extraneous trivia concerning the idol are attributes shared among this stereotypical group of fans. This overly exhuberant fan exhibits traits such as promiscuity, daring and often irrational behavior, as well as, loss of self control when exposed to the object of their obsessions.
Most commonly viewed as consumed by their interest, as opposed to the normal realm of enjoyment experienced by the great majority of public.
Obsessive research and knowledge concerning the "likes/dislikes," genevation, habits, pet peeves, and other extraneous trivia concerning the idol are attributes shared among this stereotypical group of fans. This overly exhuberant fan exhibits traits such as promiscuity, daring and often irrational behavior, as well as, loss of self control when exposed to the object of their obsessions.
Most commonly viewed as consumed by their interest, as opposed to the normal realm of enjoyment experienced by the great majority of public.
Groupies at The Beatles concerts would often dissolve into tears, screaming fits and hysterics at the mere sight of the band's entrance to the stage.
by THE REAL JULIA June 8, 2006
1. To appologize for behaviors or actions that may have hurt another person.
2. The state of being worthless, or poor in quality.
3. The idea that there is more than one person responsible for dramas past, yet only one takes the blame.
2. The state of being worthless, or poor in quality.
3. The idea that there is more than one person responsible for dramas past, yet only one takes the blame.
1. I am sorry for the way things went four years ago, but now it is time to move on.
2. It is a sorry day when you cannot get over something that cannot be changed, and are unwilling to accept the graciousness offered to you as a person today, regardless of past.
3. I have never heard "I am sorry" from you for the past, yet I have offered you "I am sorry" regardless of blame, regardless of consequence.
2. It is a sorry day when you cannot get over something that cannot be changed, and are unwilling to accept the graciousness offered to you as a person today, regardless of past.
3. I have never heard "I am sorry" from you for the past, yet I have offered you "I am sorry" regardless of blame, regardless of consequence.
by THE REAL JULIA December 19, 2005
by THE REAL JULIA March 21, 2007
This is the title of an American song, circa pre-turn of the century. The lyrics, in part are as follows:
"A froggy would a'wooin' go,
Mm Hmm, Mm Hmm,
Whether his mother would let him or no,
Mm Hmm, Mm Hmm,
He went right to Miss Mouse's den,
Mm Hmm, Mm Hmm,
He said Miss Mouse are you within?
Mm Hmm, Mm Hmm,
He said Miss Mouse I've come to see,
Mm Hmm, Mm Hmm,
Whether or no you would marry me,
Mm Hmm, Mm Hmm,
So Uncle Rat went to town,
Mm Hmm, Mm Hmm,
To buy his niece a wedding gown,
Mm Hmm, Mm Hmm..."
The merit of including this song is found during the time it was popular music. The sentiment among "civilized, mature, adults," was that this was simply youthful indulgence, a rebellion comparable to a more recognized form of music such as rock'n'roll.
Every generation has had a form of musical rebellion, for us hip hop and rap, metal, scene, indie and so forth. For our parents' generation Elvis, The Beatles, The Doors, The Who, The Rolling Stones. For their parents' generation Frank Sinatra, Tony Bennette, The Rat Pack. Perhaps earlier representations would include Cab Calloway, Billy Holiday, Ella Fitzgerald and the myriad Big Band, Scat, Blues, and Jazz entertainers that drove the musical force of generational distinction between parent and offspring.
Before this there were songs such as "A Frog A Went A Wooin'" that were considered "noise" as much as the parents of the rock a'billy/rock'n'roll generation felt the music their children listened to was "noise."
"A froggy would a'wooin' go,
Mm Hmm, Mm Hmm,
Whether his mother would let him or no,
Mm Hmm, Mm Hmm,
He went right to Miss Mouse's den,
Mm Hmm, Mm Hmm,
He said Miss Mouse are you within?
Mm Hmm, Mm Hmm,
He said Miss Mouse I've come to see,
Mm Hmm, Mm Hmm,
Whether or no you would marry me,
Mm Hmm, Mm Hmm,
So Uncle Rat went to town,
Mm Hmm, Mm Hmm,
To buy his niece a wedding gown,
Mm Hmm, Mm Hmm..."
The merit of including this song is found during the time it was popular music. The sentiment among "civilized, mature, adults," was that this was simply youthful indulgence, a rebellion comparable to a more recognized form of music such as rock'n'roll.
Every generation has had a form of musical rebellion, for us hip hop and rap, metal, scene, indie and so forth. For our parents' generation Elvis, The Beatles, The Doors, The Who, The Rolling Stones. For their parents' generation Frank Sinatra, Tony Bennette, The Rat Pack. Perhaps earlier representations would include Cab Calloway, Billy Holiday, Ella Fitzgerald and the myriad Big Band, Scat, Blues, and Jazz entertainers that drove the musical force of generational distinction between parent and offspring.
Before this there were songs such as "A Frog A Went A Wooin'" that were considered "noise" as much as the parents of the rock a'billy/rock'n'roll generation felt the music their children listened to was "noise."
"A Frog A Went A Wooin'" is a song my Nana and I sang together. Nana explained that this song was considered old during her youth, considering she was born in 1915 this translates to a pre-turn of the century circultaion of the song.
So this snippet of lyrics, and the mere mention of this song, represent a slang of a bygone era that nevertheless deserves recognition and preservation among the archives of slang documented in Urban Dictionary.
"A Frog A Went A Wooin'" represents the Dean Martin, Elvis, Metallica, Aerosmith, and G-Unit of a bygone era in its relevance as a form of youthful expression, rebellion, and significance as an indicator of changing times.
So this snippet of lyrics, and the mere mention of this song, represent a slang of a bygone era that nevertheless deserves recognition and preservation among the archives of slang documented in Urban Dictionary.
"A Frog A Went A Wooin'" represents the Dean Martin, Elvis, Metallica, Aerosmith, and G-Unit of a bygone era in its relevance as a form of youthful expression, rebellion, and significance as an indicator of changing times.
by THE REAL JULIA May 29, 2006
Most beautifuol women in the world! Famous for their beauty! Men go to Iceland just to look at the women!!
by THE REAL JULIA December 25, 2005
your sweet heart.Sally (from the cartoon of Peanuts with Charlie Brown and Snoopy) dubbed her crush Sweet Babboo. Term of endearment.
by THE REAL JULIA March 20, 2007
Leave an organization, group, company/institution, movement, proposal, or idea. This departure is usually due to inside information, or a gut feeling, concerning the pending failure of said organization, group, company/institution, movement, proposal, or idea.
References the visual of a sinking ship, i.e.- the crew evacuates rather than stays honor bound to the cause of saving the ship at the expense of their lives.
References the visual of a sinking ship, i.e.- the crew evacuates rather than stays honor bound to the cause of saving the ship at the expense of their lives.
Leaving a close knit business is never an easy choice. If the supervisors have managed their crew, or staff, with equanimity and sound ethical judgement those employees will dedicate themselves to the failing business in hopes of restoring the profitability rather than merely choosing to Jump Ship.
by THE REAL JULIA April 20, 2006