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Bill M.'s definitions

power chord

A musical chord formed by a root note, its fifth, and its octave. Among the easiest types of chords to play on the guitar, due to an easily shiftable fingering position, and the power chord's ability to "fit" over both major and minor melodies. Vital to heavy metal and punk music.
Old Black Sabbath and AC/DC albums have a lot of simple yet great power chord-strumming songs.
by Bill M. September 20, 2004
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SOD

S.O.D. ("Stormtroopers of Death") - a heavy metal side-project band formed by two members of Anthrax (Charlie Benate - drums, Scott Ian - guitar), Anthrax's roadie Billy Milano on vocals, and Dan Lilker (originally a member of Anthrax, but better known from the band Nuclear Assult).

The band recorded the album "Speak English or Die" in 1985, during a gap in Anthrax's schedule. It was essentially meant to be a novelty record, with the band planned as being a one-time side project. The album was notorious for its few outright sexist and racist themes, blue humor, plus songs that were hilariously short (the last track being "Diamonds And Rust (extended version)", which is literally two seconds long). Billy Milano would eventually form M.O.D. (Method of Destruction) his own band in a similar metal novelty vein.

However, S.O.D. achieved an unexpected cult following, and many have cited the album as being a historical bridge between the genres of hardcore punk and speed metal. The band reunited in 1992 and again in 1997, before finally recording an album of new material in 1999.
S.O.D. patches and t-shirts were not an uncommon site among metal fans in the 1980s, despite the fact that the band only had made one album at the time.
by Bill M. August 2, 2004
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hair metal

A band of the hard rock or heavy metal variety associated with the 1980s, even if from the early 90s (as was the case with Damn Yankees, Mr. Big, Nelson) "Hair metal" was a term not coined until well into the 90s, but roughly covers what was known in the 80s as "glam metal".

Self-proclaimed haters of hair metal try to define the genre as music with all focus on image, and contrast it with grunge. Yet in grunge, the lack of aesthetics became a trendy enforced look itself, and the scene never produced any virtuoso "musician's musicians". Many credit Nirvana and grunge with the "death" of hair metal, but this is historically inaccurate, as hair metal's loss of popularity was mainly due to 1) sudden denial by radio stations and Mtv of any airplay or promotion, and 2) unrelated pitfalls of many key bands in a very short time span: Ozzy Osbourne had announced retirement, inner conflict led to Guns n' Roses' break-up, too many years taken off in between some band's albums (Metallica, Alice Cooper, AC/DC, Judas Priest, Def Leppard), while other bands lost prominent members (Iron Maiden, Motley Crue, Poison).

Most hair metal bands in fact continued to put out albums and play small venues throughout the 1990s, finding promotion via the internet, college radio, and the work of loyal fans. Ironically, it then became a much more anti-corporate, "alternative" form of music than the 90s pop music that was still being called "alternative".
"Haha, look at all that hair metal. I hate anything that came out of the 80s."
"Wait a minute, didn't you just buy the latest CDs from Guns n' Roses, Aerosmith, and Metallica?"
"Yeah, but those bands don't count as hair metal because, um, you know. Er, uhhhh...hey what's on TV tonight?"
by Bill M. July 23, 2004
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Ozzmosis

The title of an Ozzy Osbourne album made in 1995, an obvious pun of "osmosis". This came out a mere two or three years after Ozzy had his "absolute final tour" and announced he was going to retire. Many fans felt that Ozzmosis was his worst album, until the release of the next one, "Down to Earth", in 2001 (yes, a full 6 years later). "Ozzmosis" and "No More Tears" (1992) were Ozzy's only albums of new material released in the 1990s.
Ozzmosis features bassist Geezer Butler, who always handled writing the lyrics in Black Sabbath anyway.
by Bill M. July 28, 2004
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anagram

One or more words created by rearranging all the letters of a given word or phrase. All the letters have to be used, and only used once. The resulting anagram will usually have nothing to do with the original word or phrase, but it's amusing when it does.

Anagrams are not to be confused with palindromes (though "straw" is both a palindrome and anagram of "warts"), spoonerisms, acronyms, or other word plays.
- "earth" is an anagram of "heart"
- An anagram for "Alice Cooper" is "A cool recipe"
- "General", "enlarge", and "Al Green" are all anagrams of each other
- "Axl Rose" is an anagram of "Oral Sex"
- "Dormitory" becomes "Dirty Room"
- "Santa" becomes "Satan"
by Bill M. August 27, 2004
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base

1. The phonetic but incorrect spelling of bass, still occasionally seen in ads that bands put up in music stores.
2. A juvenile way of measuring how "far" a couple has gotten in terms of sexual activity, drawing an analogy to a game of baseball. Typically, "First Base", "Second Base" and so on refer respectively to tongue kissing, some type of heavy groping, oral sex, and full intercourse. Though the precise definitions have been known to vary.
1. "Our hevey metel band is seeking a drumer and base player."
2. "You went out with Cindy last night? So, dude, did you get to third base with her?"
by Bill M. September 10, 2004
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bass

Short for either the bass guitar (also known as the "electric" bass) or the upright bass (also known as "bass fiddle", "double bass", "contrabass", "string bass", or "acoustic bass"). Although different in design, both of these musical instruments essentially serve the same role: providing a low bottom-end to the music and a link between the rhythm and lead sections of a band. Though plenty of exceptional players have shown that the bass can additionally be a versatile lead instrument in its own right.
"At night I could hear the bass reverberate through the neighborhood. The guitars and drums were muffled, but the bass traveled everywhere. I loved that, and wanted to have the power to shake buildings. Also, the bass was big and manly; guitars were little and wimpy, with these thin little strings that looked like Velveeta cheese cutters." - Billy Sheehan
by Bill M. August 30, 2004
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